services

digital equipment

• Film Scanner

  Equipment:

  - No. 2 Arriscan
  - Archive GUI (Arri) to scan nitrate and safety films

   

  Features:

  - 4K and 2K film scanning
  - Sprocketless option for film shrinked, brittle, buckled, etc. and out of standard film

  - High-power LED to reduce the visibility of scratches

  - 35mm, 16mm and non standard format (17,5mm, 28mm, 9,5mm)
  - HD and SD down-convertion
  - Disable the pin registration for shrunken film material

   

  Equipment:

  - Wet gate package

   

  Features:

  - Adjust the framing even during scan job execution – for example when a bad splice shifts the frame line position
  - Vary the winding speed
  - Adjust the step speed on the fly
  - Reduce torque on the film for very brittle material

   

   

• Telecine

  Equipment:

  - Telecine Cintel Ursa Gold
  - daVinci Renaissance 8:8:8
  - Digital Vision DVNR 1000

   

  Features:

  - Realtime SD film Acquisition
  - Color Correction
  - Noise Reduction
  - 35mm, S35mm, 16mm, S16

• Color Correction Theater by Digital Vision

  Equipment:

  - No. 2 Nucoda Film Master by Digital Vision

   

  Features:

  - 4K and 2K real time
  - HD, SD
  - Conforming
  - Color Correction
  - Finishing

   

  Setting new standards in the highest quality, Nucoda Film Master is  a fully featured ACES grading system, featuring HDR grading and and real time EXR file support. With an industry leading colour toolset used by clients such as Walden Media and Pixar Animation Studios, Nucoda Film Master creates complex looks and visual styles for animation, 2k/4k and S3D stereoscopic.

• Film comparison

  Equipment:

  - Look by Digital Vision and Final Cut Pro (No. 3 workstations)

   

  Features:

  - Comparison
  - 2K real time
  - HD, SD
  - Conforming

  - Color Correction
  - Finishing

   

  An entry level grading solution based on the industry leading Digital Vision image science technology and Nucoda colour tools. It is ideally suited for use as a pre-grade assist station, either in the facility or on-set. When used as preparation station for Nucoda Film Master, it can be used to ingest or conform video or film content directly onto the timeline ready for editing and pre-processing. It is also an excellent post grade deliverables system.

• Mastering and DCI

  Equipment:

  - No. 2 ROHDE & SCHWARZ CLIPSTER® V5

   

  Features:

  - 4K, 2K, HD, SD in real time
  - Full editing features
  - EDL and FCP XML for exchange and conforming
  - Subtitling and closed caption
  - Digital Cinema Delivery Tool for DCI Mastering
  - Color Correction
  - Titling
  - Finishing
  - Mastering

• Digital Restoration

  Equipment:

  - Revival by Black Magic (4 workstations)

   

  Features:

  - 4K, 2K, HD, SD
  - Frame reconstruction
  - Dirt removal (scratches, dust)
  - Deflickering
  - Dewarping
  - Degrain
  - Denoise
  - Image Stabilization
  - Aperture (focus correction)
  - Manual and Automatic mode

   

  Equipment:

  - Phoenix by Image System (11 workstations)

   

  Features:

  - 4K, 2K, HD, SD
  - SD/HD video ingest (layoff supporting batch digitise and layoff direct from timeline/list)
  - Automatic conforming of digitised video and film scans onto timeline
  - Edit and add use effects plug-ins to enhance media
  - Playback of SD, HD, 2k and 4k material

   

  Equipment:

  - Diamant by HS Art (4 workstation)

   

  Features:

  - Single frame defects
  - Dust, dirt, blotches, mould, bacteria, hairs, scratches, tears
  - Instabilities or shaking
  - Local and global colour and brightness instability like flicker
  - Film grain, noise
  - Destroyed images or parts of images
  - Bad splices
  - Burned frames
  - Warped images
  - Dead pixels

   

  Equipment:

  - After Effect by Adobe (4 workstations)

   

  Features:

  - Visual Effects: tools for film restoration

• Film recording

  Equipment:

  - No. 2 Arrilaser
  - Arricube
  - Alice

   

  Features:

  - 4K and 2K film recording
  - B/W negative
  - Internegative
  - Color separation
  
  L’Immagine Ritrovata is specialized in recording on the black and white.

• Sound Department

  Equipment:

  - COSP-Xi2kTM

   

  Features:

  - Optical Sound Processor
  - Pixel Exclusion Controls
  - Variable Density Exposure Controls
  - Variable Area Controls
  - Variable Area Controls (Cross-Mod Distorsion Compensation)
  - Variable Area Controls (Clash Compensation)
  - Clash Compensation (Wave Form Analysis)

   

  Equipment:

  - ProTools HDX 24bit 192kHz
  - C|24 digital console
  - PMC AML-1 5.1 monitoring system
  - SSL outboard

   

  Features:

  - 5.1 Surrond Sound Recording and Mixing
  - Sound Supervision
  - Sound Design
  - Dialogue Editing
  - Foley Editing
  - Music Editing
  - Restoration
  - Voice-over Recording
  - Sound Transfer

   

  Equipment:

  - Sondor Oma-E with CHASE option
  - 35mm white light optical head

  - 35mm red light optical head
  - 16mm red light optical head
  - 35mm 4-tracks magnetic head
  - 35mm 3-tracks magnetic head

  - 16mm 2-tracks magnetic head

  - 16mm 1-tracks magnetic head

   

  Features:

  - Optical and magnetic sound acquisition (35mm, 16mm)

   

  Equipment:

  - Westrex Sound Camera

  - MWA-LLK5

   

  Features:

  - Optical sound film recording on 35mm stock negative

• Mastering and file management

  Equipment:

  VTRs:
  - Sony SRW-5500 HDCAM SR
  - 2x Sony DVW-M2000P Digital Betacam
  - 2x Sony Betacam SP
  - Panasonic DVCPRO
  - Sony DVCAM
  - LTO-4
  - LTO-5

  -LTO-6

   

  Features:

  - Remote control and I/O connection
  - Network administration (100 TB of central storage)
  - Format conversion (PAL, NTSC, HD, SD, Component,
  Composite)
  - Fibrechannel Network Attached Storage

• Subtitles

  Equipment:

  - Easy Titles

   

  Features:

  - Subtitles for digital cinema, HD, SD masters, DVDs
  - Translation, adaptation and synchronization
  - Multilingual subtitling projects
  - Subtitles for most major editing programs